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VTalk Radio Spotlight
Today's Guest: Steve Stewart of Victoria Photography in Shelby, Michigan
Today's Host: John Bentley
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Victoria Photography
Steve Stewart Transcript Page
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ANNOUNCER: This VTalk Radio's Spotlight is sponsored by morephotos.com bringing photographers to the web to sell, display, and proof images since 1998. Welcome to the VTalk Radio's Photographer Spotlight with your host, John Bentley.
JOHN: Today we are in the
studio with Steve Stewart, marketing director of Victoria Photography of
Shelby, Michigan. Welcome, Steve, to VTalk Radio's
Photography Spotlight. STEVE: Good,
John. JOHN: Now you guys have
a wedding photography business in Michigan. Tell me a little bit about
it. STEVE: Well these are pretty exciting times, John. We've got
some phenomnal things that we're doing right now with all the new digital
photography, the effects that are available to person now if they are talented
enough are just amazing. And what we do is primarily wedding
photography. That's what we specialize in. That's all we
do. JOHN: Now weddings...this certainly...you got done with probably
your busiest time of year. Do you guys do remote shooting, do you travel
to do some of these weddings, or is all just right there in the Shelby,
Michigan, area? STEVE: Oh no, no. We travel quite extensively, as
a matter of fact. Greater Detroit area, tri-county, pretty much people can
think of us from Port Huron to Toledo. As a matter of fact, we had a
really phenomenal experience just a couple of months ago up in Mackinac Island
which was just gorgeous and it's just such a joy, I mean, to be in a business
where you get paid to, you know, go to places like this. And to just be
such a part of a person's special event, you know, with them and their
family. JOHN: Now when you go to shoot a wedding, are you taking more
than one photographer, or do you have an assistant with you? How do you do
that? STEVE: Oh, that's a good question. We leave it up to our
client. We really don't determine the way a lot of photographer studios
do. This is going to be the way it's going to be, and this is what we
offer. We tell people do you want a master photographer along with an
assistant? Do you want a master photographer along with a PJ? What
we call a PJ is a photo journalistic photographer that's going to be more of an
intern who follows around and gets the...just the little things that are
happening at the wedding. Just the little chunks of time and things that
people might not notice, you know, maybe a four year old swinging his feet on
the pews waiting patiently for the pictures to be taken of the church. You
know, up close shots of maybe the brides veil, you know, just her earrings, or
her jewelry that type of thing. And so we really leave it up to the
client to approach that, but we do offer it to everybody so they have that
opportunity. JOHN: Now, obviously, after the weddings over and you go
to shoot the wedding party, some people are not all that comfortable being in
front of a camera. Are there some techniques that you use to make them
more comfortable? STEVE: Yeah, we really just make them feel at
ease. You know, it's an excellent point you bring up. A lot of
people do not like their picture taken. I'd say most. It's funny
when you hand a person a photograph of a group shot the first thing thing they
look at is themselves and determine whether they like the picture. It
doesn't matter what the other 18 people look like, and so, basically what we try
to do is set them at ease. The men are the hardest to photograph because
they just, as soon as they take one picture and their arms are touching each
other, they're ok, break,we're good, we're fine. No what we do is say,
gentlemen, we're going to make this as painless as possible, we're going to work
quickly and get you on to the party. JOHN: Now you guys are probably
primarily digital photographer? Do you ever get a customer that wants film
done? STEVE: Yeah, we do have that request very rarely, but after
comparing the two and showing them the capabilities that we have with the new
digital technology, they generally either decide to go somewhere else, you know,
with a film photographer, or they change their mind and say, I would like
digital. The problem is, I'd say, about a third of the professionals in
the business and that surprises me haven't converted to digital, because they
are afraid of it, and it is intimidating. It's very difficult work.
It was, for me, one of the hardest things I had to learn. You know, we've been
in this business 27 years, and to, you know, learn all this new stuff, but it's
exciting, it's really neat the things you can do and what you can provide your
client with the digital relm. JOHN: Now certainly it's certainly
easier for you guys to be able to submit the photographs online for customers to
go and look at them. That aspect of the digital photography must be a
tremendous help to you. STEVE: Oh, that is an excellent point.
John, our biggest thing I can tell people right now that our clients love is the
online ordering, the online viewing of prints that the bride...I say that she
doesn't have to go run and play den mother-girl scout cookie leader anymore, you
know, running from place to place with her proof book collecting checks from
people and then coming back exasperated with a proof book, you know, and eleven
checks in the box. She just says to the people, here is the website,
here's the password protection, you know, go on, order what you want. It's
all guaranteed. They can go on with ease and order any pictures they want,
and the work is guaranteed which means if they don't like the photograph, they
can order another one, if they don't like that, they can get their money
back. It just makes everything so much easier for our client, because
they've already gone through the whole process of planning this wedding of all
the work and the effort and, you know, they don't want to run around showing
people pictures. So really you make a great point, and that is I would say
the number one thing that we're just proud of is the website, the proofing, and
it's a fulfillment site meaning they can actually order their pictures right
there individually, and the bride and groom don't have to worry anything about
it. JOHN: Let's talk about some of the facilities down there in the
Shelby area that you guys deal with. Do you have some wedding halls or
banquet facilities that you do a lot of photo shoots at, a lot of
weddings? STEVE: I would have to say there's no special one. We
actually have a real new situation close to us here just two miles away at the
Shelby Township Community Center and it's where the municipal offices are.
It has one of the most gorgeous gardens called Heritage Garden, and we have such
a tremendous working relationship with the park's director there, and we are
absolutely one of the only photography studios allowed to come in there as a
business and book the park for our client and there's just no other studio
around that can, you know, that has that capability, you know, because;
otherwise, you have to be a resident of Shelby Township. It's not a huge
community, but at the same point, we just really love working over at Heritage
Gardens. Goodness, there's so many places as far as locations to
do...there's the Henry Ford Estate over in Grosspointe is one, Blossom Heath in
St. Claire Shores, those are over on the water, which most people around here
know. There are really some tremendous possibilities in terms of
photographing things, and some of the banquet facilities in town have really
done a tremendous job of making their lobbies into a place where a photographer
can really work their craft in terms of a circular staircase or, you know,
marble fireplaces that type of thing. But the single one of the banquet
facilities I really probably couldn't say, because there are so many good
ones. JOHN: Now, before we take a break here, why don't you give our
listening audience your website and contact information, Steve. STEVE:
Ok, it's www.proartphotos.com.
That is P-R-O-A-R-T-P-H-O-T-O-S.COM. The phone number is (586) 254-2599,
again it's (586) 254-2599.
JOHN: We are in the studio today with Steve Stewart. He's the marketing director of Victoria Photography of Shelby, Michigan, and you're listening to
VTalk Radio's Photography Spotlight. We'll be right back after these commercial messages.
ANNOUNCER:
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VTALK RADIO: VTalk Radio.
ANNOUNCER: This VTalk Radio Spotlight is sponsored by morephotos.com, the online photo sales solution to professional photographers worldwide.
ANNOUNCER: We now return you to the VTalk Radio's
Photography Spotlight with your host, John Bentley.
JOHN: We are back in the studio with Steve Stewart,
marketing director of Victoria Photography of Shelby, Michigan, here on VTalk
Radio's Photography Spotlight. Welcome back to the program, Steve.
STEVE: Thank you,
John.
JOHN: Now
we've been talking about weddings, because that is your primary function at Victoria Photography. I
imagine that this is a big undertaking. You must pre-screen your couples, do
you have a planning session before the wedding? How do you approach
that?
STEVE: Good question. Our president, Dan Hanson, is
just adamant about planning. He wants to know that every wedding event
that we cover, the bride is going to be totally comfortable, she's going to have
every tool at her grasp to really enjoy the day, and one of the things that he
stresses is we don't have time limits, we don't worry about what schedule the
church has. You have us for the day, and also to sit down in a planning
session ahead of time and go through every eventually what we call the
speed bumps and the potholes that just come along and jar you into reality on a
wedding day, and it could really maybe upset a bride. Once a bride's upset
in the middle of the day, if it's rough enough, she will make it a really tough
day for the rest of the day. So he's really adamant about planning ahead
and making sure that every eventuality is covered and, you know, that if the
grandparents, for example, are really late, that you know she is understanding
what are we going to do about that type of thing. So that's really one of
our specialties is event management.
JOHN: Ok, let's talk about a
situation that has happened at a wedding that you've done? What unexpected
thing has happened, and how have you guys approached it and dealt with
it?
STEVE: Well really I would have to say the overall factor in what
you're asking is a timeliness issue, and that is key people, principals in the
wedding, arriving late such as parents, grandparents, or wedding party.
And that again, back to the planning session is where we tell the bride, we
actually tell them, lie to people. If we're going to get started at 2, you
tell them 1, and you'll be amazed at how many people show up at quarter to 2,
you know, or whatever. The fact of the matter is that's really the big
thing is people don't anticipate how long things are going to take. But
other than that, we've seen everything under the sun from, you know, cakes
falling to, you know, the groom getting in an accident in the limo on the way to
the church, you know, type of thing, and these are things that are unavoidable,
but the fact of the matter is is you do kind of have to plan for them, and some
you can plan for, some not so much, but basically I'd have to say it's a
timeliness is the biggest thing overall for weddings and that's again back to
the planning process.
JOHN: Ok, what about I've got an uncle who
has a digital camera. I'm getting married in a few weeks here, why
shouldn't I, you know, he's going to do it for nothing.
STEVE: I see it
coming, John, friend of a friend photography company.
JOHN:
Yeah.
STEVE: Basically, you
bring up an excellent point and that is in this day and age, digital cameras are
made to basically do what it was as young photographers we had to learn in terms
of composition, you know, back lighting, all those things where we make a joke
out of the fact that the "P" on the Program stands for professional. You
know, because if a person puts it on "P" they are now a professional
photographer. And the business is going to take a hit, but I think it's
starting to realize people for a while were really walking away from, you know,
professionals, and now that they've seen the results of that, a lot of them,
they're coming back and saying, you know, my friends had their friend or
relative or a friend take these photographs, now they're all, they are just
pink, everyone of them. I'm like, yeah, because of the hard work is in
afterwards in the post production and the editing, going through in Photoshop
and doing the densities, the lightings, the color balances, all those things
and people just don't understand you have to learn more about file management
than you do about photography when it comes to digital. If you're a good
photographer, it's going to show, but the fact of the matter is, so many of
these people now are learning that lesson that that friend of a friend
photography is not always worth it, and not even to mention back to what I said
about event management. You just really have to, you know, it's like the
old Superbowl ad, hurrying kittens. It's so difficult sometimes with these
wedding parties, because they want to party, they want to enjoy themselves, you
know, it's an open bar and o'derves, and all they, they want to enjoy
themselves, but we need to get beautiful photographs for them, and so like I say
it's one of those things where you take that chance, but the problem is, John,
you can't get it back and you can't fire a bad photographer. That's what
you have to remember about the wedding business. You get one shot at it,
and the fact of the matter is, if the photographer does not know how to manage
that event you're going to have one very frustrated lady in a white dress who is
not enjoying her event now, and she's getting really not very good
photographs.
JOHN: Good point. Before I let you go, let's talk
about what is the most important goal, what do you want your clients to come
away with when they, you know, come to you as a photographer. As a wedding
photographer, what do you want them to walk away with?
STEVE: Well,
believe it or not, we want them to walk away knowing that they are really going
to enjoy working with us, or we would rather they just walk away. Because
we are only going to photograph one event at a time, you know, each photographer
can only be at one event, and the fact of the matter is, if they're not going to
click, if there's not going to be some spark there in terms of enjoying each
other and them respecting the fact that you're a professional, you looking at
the fact that they're going to be serious about the planning process, it's
better off that they go get their uncle to photograph the event. We want
to work with people who are serious who are really looking for the most gorgeous
photography available and really the people that are looking for the newest
thing which is the coffee table book. This is a thing that our studio
does. We have a design team that will just blow people away, and this new
coffee table book is just so phenomenal, again our president, Dan Hanson, he had
coined the term "This is not your parents photo album", and people just laugh
when they see it, because it's like, wow it's so stunning that they're like, wow
you're right this is not our parents photograph album and all I can say is as a
marketing director I seem to see almost for every single coffee table book that
our design team puts out of here, we have a phone call within a week to ten
days, maybe two weeks from somebody...you did, you know, Ann's wedding, and I
just saw her coffee table book, I want that where do I come? And we've
actually had people just say I'm mailing a deposit, I don't have time to get to
see you, but I'll get with you in a week or two, and that just makes us so proud
of the work we do, and the fact that we're serving these people in a way that a
lot of other studios can't, but again that coffee table book, once it's in
people's hands, it just blows them away and, again, we're very proud of the work
we do, and we love what we do, John, that's one of the big things is, you know,
for wedding photographers is, you know, not dragging yourself around a wedding
event. They're really just enjoying the fact that you're paid to do
something so fun.
JOHN: Well I want to thank you for joining us,
Steve. I certainly wish you and the gang over there at Victoria
Photography the best in the future here, and thank you for joining us on VTalk
Radio's Photography Spotlight.
STEVE: Thank you, John. JOHN: Again, We've been in the studio with Steve
Stewart, marketing director of Victoria Photography of Shelby, Michigan.
Steve before I let you go why don't you through your website and contact
information out again, ok?
STEVE: Certainly. It's www.proartphotos.com. P-R-O-A-R-T-P-H-O-T-O-S.COM,
and the phone number is (586) 254-2599.
JOHN: And I want to thank everybody for listening audience listening to us today VTalk Radio's Photography Spotlight. I am your host, John Bentley, signing off. Have a great afternoon.
ANNOUNCER: You have been listening to the VTalk Radio's Spotlight; only on
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